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- Duration: June 16, 2011 – December 10, 2011
- Shows: 79
- Box Office: $68,700,000
- Photos: Click here
The Femme Fatale Tour is the eighth concert tour by Spears, in support of her seventh studio album Femme Fatale. The tour was number 19 on Billboard’s Top 25 Tours of 2011. The magazine counted for 39 of the tour’s dates (14 of which were sold out) with an overall gross of $37.1 million and 396,000 tickets sold. In North America, the tour was the fourteenth highest-grossing tour 2011, with $38.3 million in ticket sales and 423,017 people attending at an average of 58,396 per show. Worldwide, the Femme Fatale Tour was also the eleventh highest-grossing tour of 2011, with a gross of $68,700,000 million. 697,957 fans attended the shows worldwide, with an average attendance of 8,724 paying an average of $98.43.
Background
In an interview on Ryan Seacrest’s radio show on March 4, 2011, Spears stated she would tour the United States in the “early summer” in support of Femme Fatale. On March 29, 2011, following her performances on Good Morning America, she announced a co-headlining tour with Enrique Iglesias, starting in June 2011. Hours after the announcement, it was reported by Billboard that Iglesias had pulled out of the tour. Ray Wedell of Billboard speculated that the reason may have been that Spears was deemed by news outlets as the headliner, while Iglesias was considered the opening act. The first twenty-six North American dates were also announced on March 29, 2011. The opening acts were announced on April 12, 2011. Spears stated, “This is the Femme Fatale tour and I’m thrilled to have Nicki Minaj, Jessie and the Toy Boys, and Nervo join me and get everyone on the dance floor. Can’t wait to take the Femme Fatales on the road.” Tickets for select markets went on sale on April 30, 2011, at ticket seller Ticketmaster and tour promoter Live Nation’s websites.
In May 2011, it was announced that Spears would headline Summerfest on July 9, 2011, at the Marcus Amphitheater in Milwaukee. She previously headlined the festival on July 8, 2000, during the Oops!… I Did It Again World Tour, and had to cancel her performance during The Onyx Hotel Tour in 2004 due to a knee injury. Summerfest’s entertainment director Bob Babisch said, “It’s going to be a great dance party. […] This is going to be the biggest production we’ve ever put in the Marcus Amphitheatre. There’s a thrust that goes out on the stage about 80 feet, and it’s about 80 feet wide, and there’s all kinds of things flying in and out.” The European tour dates were announced on her official website on June 5, 2011. On July 25, 2011, Spears announced through her Ustream page at 18:00 EST (23:00 UTC) a South American leg of the tour. Accompanied by two of her dancers — one translating in Spanish and the other in Portuguese — she also apologized for not touring in the region during The Circus Starring Britney Spears in 2009. A notice following the stream announced the first two dates in Brazil and ten more dates to be announced in the near future. It will mark Spears first concert in Brazil in ten years, since her 2001 performance at Rock in Rio. During the next few days, concerts in countries such as Argentina, Chile, Colombia and Peru were announced. On September 26, 2011, it was announced that Spears would perform on the first day of the Abu Dhabi Grand Prix.
Development
In March 2011, Spears’s manager Larry Rudolph told MTV News that the tour would have a “post-apocalyptic vibe”, and commented that “Till The World Ends” “keeps becoming a theme for us.” He also confirmed Jamie King as the tour director and Brian Friedman as the choreographer. The following month, Friedman announced that he had pulled out of the tour due to scheduling conflicts with his own reality series. In a video interview posted on Spears’s official website, she said, “The Femme Fatale Tour will hopefully just be outrageously spectacular. I’m just hoping that the choreographers will come up with just the most outrageous things, and I’m really excited. This is one of the most excited I’ve been about a project in a really long time, so I can’t wait.” The script of the show was created by Jamie King, and was inspired by the concept of the femme fatale and femme fatales throughout the ages. Rudolph stated that the idea for the show was to have Spears as an “international woman of mystery”. The setlist was composed mostly of songs from Femme Fatale, but also included hits from her previous albums, as Spears explained, “The fans really like a lot of the old songs, because that’s what they are used to. So it’s just about finding the balance, and how many songs I wanna incorporate from the past and from the present.”
The costume design was done by Zaldy Goco, and the outfits were created to fit the different personas of Spears throughout the show. He also commented that the inspiration for the costumes was “Britney herself […] She’s a very sexy girl.” Among the outfits that Goco previewed to Extra prior to the beginning of the tour were a pink latex jacket, a nude bodysuit, a Marilyn Monroe-inspired white flowing dress, several gladiator-inspired gold-mirrored options, pink-chrome-studded leather and denim, as well as a “Toxic”-inspired catsuit. For the finale, she was revealed to wear a kimono, with an anime version of herself silk-screened on one sleeve, over a sparkling, black bodysuit with LED lights built into it. On April 30, 2011, a video of Spears rehearsing “How I Roll” from Femme Fatale with her dancers surfaced online. On May 11, 2011, Sabi spoke to MTV News at a St. Bernard Project dinner hosted by Spears, stating that she would join her during the performances of “(Drop Dead) Beautiful” at select dates such as Los Angeles, Las Vegas and New York. On June 7, 2011, a video surfaced online of Spears seeing the stage for the first time, along with a soundcheck of the music and staging for “Hold It Against Me”. According to Jocelyn Vena of MTV, the stage “has it all: lights, video screens, a funky neon-colored floor, lasers, lifts and giant butterfly wings.” In an interview with Entertainment Tonight on June 8, 2011, Spears said about the show,
“I’m really excited. I’m probably going to be extra nervous the day before. We’ve been working hard for, like, two months now, and everything’s coming together really good. […] [The show] can be kind of [grueling], especially when you’re onstage and you’re on your eighth number, you get really winded and you’re like, ‘How can I do the rest of the show?’ But I’ve been training for a while and I actually — before I come to rehearsals — I’ve been working out and stuff like that so I won’t have that predicament.”
After Minaj was announced as the opening act in April 2011, she said on Ryan Seacrest’s radio show she was looking forward to creating “a new, a bigger, a brighter, a more spectacular show.” She stated that as much as her set was about the music, she wanted to put more theater on stage, saying, “my goal [is] to truly put on a show and incorporate theater and dance.” The hair and make-up was done by Marco Berardini, who was inspired by European women such as Brigitte Bardot. “It’s the epitome of a strong woman. I wanted to bring out that strength and sexiness for all the girls on tour”, he said. He applied Spears with makeup and designed it to “be a little bit neutral so that it could work with anything.” As for the hair, it was changed at every show to fit the vibe of the city. For example, at the Uniondale show on August 2, 2011, Spears sported wavy hair, inspired by Sarah Jessica Parker and the street style of New York women.
BuzzFeed reported that 23 18-wheeler trucks arrived at each venue at 5 a.m. on show day. It took 7 hours to unload and build the stage. Unlike most tours who built the stage from the bottom up, the stage was built from the ceiling down. The tour comprised 140 workers, 125 crew members, 14 tour buses, 16 dancers and 2 band members. In July 2011, Spears told MTV News she was having “a blast” on the tour, commenting, “The shows have been equally amazing. The crowds have been so good each night and that gives you the adrenaline you need to get through the show. It just pumps you up.” She also talked about the performance of “Till the World Ends”, saying that “at the end of the show, the last song [Minaj] comes on every once in awhile [sic]. Not every show, but it’s usually special when she does it.” In an interview with Glamour in October 2011, Spears said: “I seriously think it’s the best tour I’ve done so far. […] right now I’m really excited about the show – this is the funnest show I’ve done in my career.”
Concert synopsis
After a neon sign reading “Femme Fatale” is lifted from the stage, the show begins with a video introduction in which Spears is arrested by the police after a chasing sequence. As she says “I’m not that innocent”, the video screens part and she appears sitting on a metallic throne in a silver costume to perform “Hold It Against Me”. She is accompanied by her back-up dancers in white and silver costumes. “Up N’ Down” features Spears and her female dancers performing inside cages, with the male dancers looking at them dressed as policemen. After walking to the B-stage in a conveyor belt, Spears puts on a white trench coat and a satin fedora to perform “3”. She then goes into “Piece of Me” while floating above the stage in a platform. This is followed by a video intermission that contains the beginning of the music video for “My Prerogative”, and in which a stalker reveals that Spears is a secret agent. The next section begins with Spears in a pink latex and lace jacket emerging from inside a bass to perform “Big Fat Bass”, while will.i.am appears in the backdrops. She removes the jacket to reveal a nude leotard for the performance of “How I Roll”, which features a pink convertible Mini Cooper-like car and her dancers wearing colorful outfits. This is followed by a segment in which Spears and her dancers select a male member from the audience. She then bursts into “Lace and Leather” and performs sensually for him. After a costume change, Spears goes into the song “If U Seek Amy” while wearing a white skirt over a fan, recalling Marilyn Monroe’s iconic scene in The Seven Year Itch(1955).
A video interlude in which the stalker talks about femme fatales in history sees the beginning of the third section. Spears returns to the stage wearing a golden outfit and performs an Egyptian-inspired version of “Gimme More”, containing a barge and fireworks. In her next number “(Drop Dead) Beautiful” Spears is surrounded by her dancers carrying picture frames, and includes an appearance by Sabi in select cities. She then sings “He About to Lose Me” on a purple couch while her male dancers climb metallic structures. She wears a golden cape for a snake charming number of “Boys” (The Co-Ed Remix). After climbing into a swing, she starts singing “Don’t Let Me Be the Last to Know”, while an acrobat hangs from it. Another video interlude follows, featuring Spears changing clothes and choosing between different passports inside a hotel room. The final segment features Spears and her dancers dressed in motorcycle gear to perform a medley of “…Baby One More Time” and “S&M”, while her next number “Trouble for Me” features Spears and her dancers performing in the B-stage. Accompanied by her female dancers, Spears performs “I’m a Slave 4 U” with gay soft porn in the backdrops, and subsequently a cover of Madonna’s “Burning Up” on top of a giant silver guitar. She then brings several fans onstage for a performance of “I Wanna Go”. She sings “Womanizer” with her dancers dressed as policemen and thanks the audience. The encore starts with a video interlude in which Spears finally captures the stalker while wearing a kimono. She reappears to perform a martial arts-inspired version of “Toxic”, in which she defeats a group of ninjas. At the end of the song, she goes below the stage and returns wearing a black sparkly bodysuit for “Till the World Ends”. Halfway through the performance, Nicki Minaj appears on the backdrops rapping her verse of The Femme Fatale Remix of the song. She also joined Spears to perform the verse in select cities. After the song changes back to the original version, Spears starts flying in a platform with giant angel wings. The show ends with Spears and her dancers thanking the audience, as confetti falls and the “Femme Fatale” sign is lowered onstage.
Critical response
Barry Walters from Rolling Stone called the show “possibly her flashiest, fastest moving, and most entertaining production yet”, and added that the night belonged to Spears, as “she managed to prove that she’s still progressing as a showgirl. Not only that, she’s doing it better than even diehard defenders would’ve predicted. At 29, the pop star whose career seemed in danger of ending just a couple years ago has shown that she’s back – hopefully this time to stay.” Evelyn McDonnell of Spin said that “the idol America loves to hate went all out. Her body perpetually moved, she sang steadfastly into her headset (okay, she’s got plenty of digital support, but she doesn’t merely lip-sync), and she shimmied through an endless parade of outfits. […] Having been knocked down by the tabloid press and the public repeatedly in recent years, Spears is now desperately seeking our attention. And she earns it. Haters go home.” Kelley L. Carter of MTV commented that “the Spears that captivated the audience at theStaples Center […] was the old, fun-loving, free-wheeling Spears — with a sexy, showgirl twist. There wasn’t much pretense, though those glamazon outfits blinded in the best way possible. Instead, there was just good dance music.” Carla Meyer of The Sacramento Bee stated that “Though Spears performed like a pro throughout the show, hitting all her marks, she had shown hesitancy in her movements — natural for the first stop on a tour. But that hesitancy vanished when she put on the denim. She seemed at ease.”
Shaunna Murphy of Entertainment Weekly criticized “Britney’s complete lack of verbal audience interaction […] and her obviously diminished dancing ability” but also added that “with her slim waist, her dangerously toned legs, and most importantly her engaged, wide-eyed smile, [Spears] looked happy to be there with us—the crucial element that has been missing from so many Britney shows of late.” August Brown of the Los Angeles Times stated that “the Femme Fatale tour gets its drama by largely erasing — or at least tweaking — the past. […] Spears manipulates pop’s virgin-whore complex better than just about anyone, and her seamless sweep from lasciviously grinding on an awestruck dude from the audience to the earnest balladry of ‘Don’t Let Me Be the Last to Know’ […] felt true to the sweep of her career — she learned that she can control the narrative by vanishing into a club’s heat or into literal thin air.” Matt Kivel of Variety commented, “Though visually impressive, the show lacked a truly engaging human quality. Spears moved with an almost mechanical detachment, lightly shifting through dance routines without fully letting her body release itself. With her voice heavily processed and laden with backing tracks, she appeared onstage as some strange blend of Michael Jackson, Madonna and Kraftwerk’s Ralf and Florian.” However, Jam! Canoe considered the show was “best described as Janet Jackson-like.”
Commercial reception
Live Nation announced in early May 2011 a partnership with deal-of-the-day website Groupon. A spokesperson explained, “Offering a deal on Groupon is not a reflection of the quality or status or sales of a show” but rather “segmented marketing and a way to reach new and additional consumers.” A staff editor for VH1 noted that as of June 16, 2011, 18,000 tickets were sold at discounted prices through Groupon for fifteen of the first twenty-four dates of the tour, including 1,800 at opening night in Sacramento. The Groupon deals for shows in Seattle, Winnipeg, Saint Paul, and Atlanta actually expired before all available discounted tickets were sold. The editor also stated that “the shows look to be under-attended in smaller cities, even as, in metropolitan areas like Greater New York City, new shows have been added. It remains to be seen whether this could have been remedied by better price optimization, or whether the tour’s ambition was more outsized than its actual draw.” The Femme Fatale Tour was ranked at number fifty-five by Pollstar on the Top 100 North American Tours list, grossing $6.2 million in the first ten shows. On July 22, 2011, the shows in Atlanta and Nashville ranked Spears at number ten on Billboard’s Hot Tours list, with a combined gross of $1,563,934. On September 22, 2011, the tour was ranked at number six on the Top 20 Concert Tours list from Pollstar. It had an average gross of $940,165 per city, and an average ticket price of $84.19 during the shows in North America.
In December 2011, the Femme Fatale Tour was number 19 on Billboard‘s Top 25 Tours of 2011. The magazine counted for 39 of the tour’s dates (14 of which were sold out) with an overall gross of $37.1 million and 396,000 tickets sold. In the North America, the tour was the fourteenth highest-grossing tour 2011, with $38.3 million in ticket sales and 423,017 people attending at an average of 9,196 per show. Worldwide, the Femme Fatale Tour was the eleventh highest-grossing tour of 2011, with a gross of $68.7 million. 697,957 fans attended the shows worldwide, with an average attendance of 8,724, paying an average of $98.43.
Broadcast and recordings
In July 2011, a high-quality recording of the Las Vegas show was uploaded to YouTube. On July 14, 2011, the vice president of Online Anti-Piracy from the Recording Industry Association of America (RIAA), Marc McDevitt, requested a subpoena at a federal court to obtain personal details from YouTube of the user who uploaded the video, including the IP address, e-mail address and any other relevant information to identify the person. Although it is common for major music labels to send takedown requests to YouTube, it is thought to be the first time the RIAA filed legal action against the video hosting site in order to obtain the personal details of an uploader. The case was closed after a week; according to a copyright lawyer, it is most likely that the subpoena was granted by the court and that YouTube agreed to hand over the personal details that were requested. The video was removed from YouTube, but copies of the full concert can still be found on the site.
On August 12, 2011, Spears announced through her Twitter account that the Toronto shows at the Air Canada Centre would be taped to air on the Epix television channel, and for release on DVD. Within minutes of her announcement, traffic to EPIX social sites doubled and Britney Spears became a worldwide trending topic on Twitter. The show, initially titled Britney Spears: Femme Fatale, was shot in 2D and 3D by 3ality Digital. On September 9, 2011, it was announced by the BBC that BBC Worldwide had attained distribution rights of the show outside the United States. The 2D version will be available for broadcast from Christmas Eve 2011, with the 3D version available in February 2012. The special premiered on November 12, 2011 at 20:00 EST (01:00 UTC). It received mixed reviews from critics: some praised the special and the impressive stage, while others criticized Spears’ dancing. The DVD and Blu-ray were released in the United States on November 21, 2011. The DVD was released in the United Kingdom on November 28, 2011. During the concert in Lima, Peru, the song “I Wanna Go” was professionally filmed by Coca-Cola as part of the competition “Dance with Britney Spears.”
Opening acts
- Nicki Minaj (North America)
- Jessie and the Toy Boys (North America)
- Nervo (North America)
- DJ Pauly D (North America)
- Joe Jonas (East Rutherford) (Europe)
- Destinee & Paris (North America, Europe)
- The Wanted (Manchester)
- Howie Dorough (South America)
- Teen Angels (La Plata)
Setlist
- “Hold It Against Me”
- “Up n’ Down”
- “3”
- “Piece of Me”
- “Big Fat Bass”
- “How I Roll”
- “Lace and Leather”
- “If U Seek Amy”
- “Gimme More”
- “(Drop Dead) Beautiful”
- “He About to Lose Me”
- “Boys”
- “Don’t Let Me Be the Last to Know”
- “…Baby One More Time” / “S&M”
- “Trouble for Me”
- “I’m a Slave 4 U”
- “Burning Up”
- “I Wanna Go”
- “Womanizer”
- Encore
- “Toxic”
- “Till the World Ends”
“He About To Lose Me” and “Burning Up” were only performed in the North American leg.
Tour Dates
| Date | City | Country | Venue |
|---|---|---|---|
| North America | |||
| June 16, 2011 | Sacramento | United States | Sleep Train Arena |
| June 18, 2011 | San Jose | SAP Center at San Jose | |
| June 20, 2011 | Los Angeles | Staples Center | |
| June 22, 2011 | Phoenix | Gila River Arena | |
| June 24, 2011 | Anaheim | Honda Center | |
| June 25, 2011 | Las Vegas | MGM Grand Garden Arena | |
| June 28, 2011 | Portland | Moda Center | |
| June 29, 2011 | Tacoma | Tacoma Dome | |
| July 1, 2011 | Vancouver | Canada | Rogers Arena |
| July 4, 2011 | Winnipeg | MTS Centre | |
| July 6, 2011 | Saint Paul | United States | Xcel Energy Center |
| July 8, 2011 | Chicago | United Center | |
| July 9, 2011 | Milwaukee | Marcus Amphitheater | |
| July 12, 2011 | Dallas | American Airlines Center | |
| July 13, 2011 | Houston | Toyota Center | |
| July 15, 2011 | New Orleans | Smoothie King Center | |
| July 17, 2011 | Atlanta | Philips Arena | |
| July 18, 2011 | Nashville | Bridgestone Arena | |
| July 20, 2011 | Orlando | Amway Center | |
| July 22, 2011 | Miami | American Airlines Arena | |
| July 23, 2011 | Jacksonville | Jacksonville Veterans Memorial Arena | |
| July 26, 2011 | Cleveland | Quicken Loans Arena | |
| July 28, 2011 | Detroit | The Palace of Auburn Hills | |
| July 30, 2011 | Philadelphia | Wells Fargo Center | |
| July 31, 2011 | Washington, D.C. | Verizon Center | |
| August 2, 2011 | Uniondale | Nassau Coliseum | |
| August 5, 2011 | East Rutherford | Izod Center | |
| August 6, 2011 | Atlantic City | Boardwalk Hall | |
| August 8, 2011 | Boston | TD Garden | |
| August 9, 2011 | Hartford | XL Center | |
| August 11, 2011 | Montreal | Canada | Bell Centre |
| August 13, 2011 | Toronto | Air Canada Centre | |
| August 14, 2011 | |||
| August 17, 2011 | Grand Rapids | United States | Van Andel Arena |
| August 19, 2011 | Pittsburgh | Consol Energy Center | |
| August 20, 2011 | Columbus | Nationwide Arena | |
| August 22, 2011 | Indianapolis | Bankers Life Fieldhouse | |
| August 24, 2011 | Raleigh | PNC Arena | |
| August 25, 2011 | Charlotte | Time Warner Cable Arena | |
| Europe | |||
| September 22, 2011 | Saint Petersburg | Russia | Ice Palace |
| September 24, 2011 | Moscow | Olimpiiski | |
| September 27, 2011 | Kiev | Ukraine | The Palace of Sports |
| September 30, 2011 | Budapest | Hungary | Budapest Sports Arena |
| October 1, 2011 | Zagreb | Croatia | Arena Zagreb |
| October 3, 2011 | Zürich | Switzerland | Hallenstadion |
| October 5, 2011 | Amnéville | France | Galaxie Amnéville |
| October 6, 2011 | Paris | AccorHotels Arena | |
| October 8, 2011 | Antwerp | Belgium | Sportpaleis |
| October 10, 2011 | Herning | Denmark | Boxen |
| October 11, 2011 | Malmö | Sweden | Malmö Arena |
| October 14, 2011 | Helsinki | Finland | Hartwall Areena |
| October 16, 2011 | Stockholm | Sweden | The Globe |
| October 18, 2011 | Cologne | Germany | Lanxess Arena |
| October 19, 2011 | Rotterdam | Netherlands | Ahoy Rotterdam |
| October 21, 2011 | Montpellier | France | Park&Suites Arena |
| October 24, 2011 | Dublin | Ireland | 3Arena |
| October 25, 2011 | Belfast | Northern Ireland | SSE Arena |
| October 27, 2011 | London | England | The O2 Arena |
| October 28, 2011 | |||
| October 30, 2011 | Birmingham | LG Arena | |
| October 31, 2011 | London | Wembley Arena | |
| November 3, 2011 | Newcastle | Metro Radio Arena | |
| November 5, 2011 | Sheffield | Sheffield Arena | |
| November 6, 2011 | Manchester | Manchester Arena | |
| November 9, 2011 | Lisbon | Portugal | MEO Arena |
| Asia | |||
| November 11, 2011 | Abu Dhabi | United Arab Emirates | Yas Arena |
| South America | |||
| November 15, 2011 | Rio de Janeiro | Brazil | Apoteose |
| November 18, 2011 | São Paulo | Arena Anhembi | |
| November 20, 2011 | La Plata | Argentina | Estadio Ciudad de La Plata |
| November 22, 2011 | Santiago | Chile | Estadio Nacional |
| November 24, 2011 | Lima | Peru | Explanada Estadio Monumental |
| November 26, 2011 | Bogotá | Colombia | Parque Simón Bolívar |
| November 28, 2011 | Caracas | Venezuela | Universidad Simón Bolívar |
| North America | |||
| December 1, 2011 | Guadalajara | Mexico | Estadio Tres de Marzo |
| December 3, 2011 | Mexico City | Foro Sol | |
| December 4, 2011 | Monumento a la Revolución | ||
| December 5, 2011 | Monterrey | Auditorio Banamex | |
| December 8, 2011 | Santo Domingo | Dominican Republic | Estadio Olímpico |
| December 10, 2011 | San Juan | Puerto Rico | Coliseo de Puerto Rico |
The December 4th concert in Mexico was a free concert for residents of Mexico City.
Box office
| City | Tickets sold / available | Gross revenue |
|---|---|---|
| Los Angeles | 12,339 / 12,339 (100%) | $1,581,707 |
| Portland | 8,717 / 8,717 (100%) | $513,297 |
| Dallas | 11,540 / 12,776 (90%) | $1,181,767 |
| Atlanta | 13,014 / 13,495 (96%) | $988,235 |
| Nashville | 11,883 / 12,732 (95%) | $575,699 |
| Orlando | 11,215 / 12,953 (92%) | $1,032,656 |
| Jacksonville | 6,441 / 6,441 (100%) | $419,736 |
| Detroit | 13,144 / 13,144 (100%) | $989,737 |
| Washington, D.C. | 13,923 / 14,084 (98%) | $1,331,270 |
| East Rutherford | 15,274 / 15,274 (100%) | $1,750,058 |
| Atlantic City | 11,277 / 11,277 (100%) | $969,570 |
| Montreal | 10,445 / 10,445 (100%) | $942,113 |
| Toronto | 21,239 / 21,239 (100%) | $2,375,640 |
| Grand Rapids | 7,389 / 9,444 (78%) | $399,018 |
| Antwerp | 11,868 / 11,868 (100%) | $858,151 |
| London | 24,902 / 26,550 (94%) | $1,818,120 |
| Manchester | 12,653 / 13,644 (93%) | $978,972 |
| Rio de Janeiro | 13,048 / 35,000 (37%) | $1,493,260 |
| São Paulo | 20,644 / 35,000 (59%) | $2,224,890 |
| La Plata | 21,717 / 35,613 (61%) | $2,535,020 |
| Caracas | 8,474 / 8,474 (100%) | $3,183,790 |
| San Juan | 10,634 / 11,637 (91%) | $1,263,710 |
